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We have a new Columnist! Ask Jennifer all your dyeing questions..
Vintage Fabrics
May 20 - Wrights - Memories of an American Institution
May 20 - Underground Railroad Quilt Code
October 20 - Up Close and Personal with Vintage Aprons
November 20 - Colorful Vintage Tablecloths and Towels
September 20 - The Legacy of Warren Featherbone
May 20 - Some Costumes for Elderly Ladies
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February 20 - Life Was a Breeze with Fans
January 20 - Please Don't Ridicule My Reticule!
April 20 - More Mill Connections
February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
January 20 - The Indian Head Connection 3
October 20 - The Indian Head Connection 2
September 20 - The Indian Head Connection 1
August 20 - Recycling Vintage Fabrics
July 20 - Sanforized: Fabric's Best Friend
June 20 - History of the Printed Tablecloth
May 20 - Decorative Relief Carving in Wooden Spools
April 20 - Vintage Hankies - More Than Sneeze Catchers
March 20 - Indian Head Remembered - Revisiting An American Institution
February 20 - Doll Couture Vintage Style
January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
December 20 - Osnaburg the Great
Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
October 20 - WWII Fashions Part 2 --All Dolled up
September 20 - Cotton Dyeing in the 18th & 19th Century
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Extra: Bias Tape Chart
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April 20, 2000
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Dyeing Stretch Velvet
Sewing Dance Costumes as a Business
Window Treatments
Stretch Velvet
QuiltVisions
September 20 - Quilt colors
July 20 - Quilt colors for summer weather: Are you ready?
September 20 - Can every quilt be your favorite?
April 20 - Ideas: Springtime color bursts feed our imaginings
March 20 - Quilt ideas are You-nique
August 20 - Inspiration is all around us
May 20 - Purpose leads quilters to joyful adventure
January 20 - Remembering loved ones with a quilt vision
December 20 - Pleasing, honoring, creating = JOY
November 20 - It's Not too Late For a Christmas Quilt!
October 20 - Recipe for happy quilts: Seeing Red!
August 20 - State Flowers: the longest online swap?
July 20 - Summertime and a quilt is. .
June 20 - Black and white and. . . what?
May 20 - Busy agenda vs. quilt workshops
April 20 - Challenge quilts try us, stretch us
March 20 - Inspirations at home make quilts sing and bloom
February 20 - A Joyful Quilter is a Treasure
January 20 - Imagination sparks Elm Creek quilters and us!
December 20 - Whoops! Ten tips to turn celebrations into quilts
November 20 - What's good enough for Grandma is good enough for me!
October 20 - What's in a name?
September 20 - Heart influences
August 20 - Color studies prove magical
July 20 - United in Memory Quilt
June 20 - Purple and gold
May 20 - Color your world with Wow!
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A Quilter is Born
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Wild Women Who Sew
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 August
20, 2000
Volume 2, Issue 1
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By Anita Larson
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THE LAZY DAISY
by Susan Schrempf
Reprinted with permission from the Hemming away/Anita Larson
One of the most popular ribbon embroidery stitches is the Lazy Daisy. Does anyone
know why it is called that? If you have an answer let me know. It is a simple design.
Perhaps the name indicates the ease in which this stitch is created.
Depending on the width of the ribbon used, this stitch can be used to create tiny violets
to extravagant sunflowers. Oh! And, of course, the sweet daisy. Usually the
flower design consists of five petals surrounding the center. This is the pattern we will
use in this instruction. Select a pastel lavender or blue 4mm ribbon if you wish to
make a violet.
1. With an air soluble marker, trace five lines coming from a center point that are
1/4" long onto your fabric as many times as you wish to create a sweet bouquet.
2. Secure the gathered end of the ribbon at the center of the flower with a
few tacking stitches. Let the loose end of the ribbon extend to the right.
3. Working clockwise, stitch to the end of the line (petal) closest to two o'clock.
Move the ribbon to lay flat on the left side of the stitching.
4. Slightly press on the lower part of the ribbon with your left finger as you bring
the loose end around the back of the needle to rest at a six o'clock position. Move
the needle one stitch further along the stitch line across the curve of the ribbon.
Release the ribbon and brush it aside.
5. With the ribbon out of the way, stitch back to the center. Do not stitch on the
ribbon on the left side of the petal. You may stitch a bit to the right of the
previous stitch, as this will be covered when the ribbon is brought down. End stitching in
the same place you began to create a nicely pointed petal.
6. Lay the loose end of the ribbon flat on the fabric letting the inner
edges of the "petal" meet. Position the tweezers, as in the diagram,
across the "petal. Apply a light pressure to the tweezers to secure the ribbon
placement. With your left hand, hold the loose end of the ribbon tightly across the front
of the needle. Stitch to tack the ribbon in place.
Continue this method around the flower until the flower is done. Cut the remaining
ribbon away. Attach a yellow 2mm ribbon at the center of the flower and create a few
loop stitches to finish your design.
Susan Schrempf is a creative wild woman from the Chicago area, now living in Colorado.
This article is reprinted with permission from the Hemming away newsletter. Visit the
website at http://www.hemmingaway.com.
Do you have a product or a topic that you would like to see
discussed in this Wild Women Who Sew column? Just email me with your topics or questions.
Anita, a Wild Woman Who Sews
Wild Women Who Sew is a monthly column at Fabrics.net
Anita Larson is the Publisher of Hemming away Newsletter
For more information, see the Hemming away web site at http://www.hemmingaway.com
or email Anita at editor@hemmingaway.com
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