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Columns

Vintage Fabrics
  November 20 - A Celebration of Joan Kiplinger 1933 - 2009
  February 20 - Is There a Silver Moon in Your Quilt?
  January 20 - Part III: Any Powder Puffs or DayLee in Your Quilts?
  December 20 - PART II: Any E&W Prints in Your Quilt?
  November 20 - PART I: Any Rondo Prints in Your Quilt?
  May 20 - Wrights - Memories of an American Institution
  May 20 - Underground Railroad Quilt Code
  October 20 - Up Close and Personal with Vintage Aprons
  November 20 - Colorful Vintage Tablecloths and Towels
  September 20 - The Legacy of Warren Featherbone
  May 20 - Some Costumes for Elderly Ladies
  March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
  February 20 - Life Was a Breeze with Fans
  January 20 - Please Don't Ridicule My Reticule!
  April 20 - More Mill Connections
  February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
  January 20 - The Indian Head Connection 3
  October 20 - The Indian Head Connection 2
  September 20 - The Indian Head Connection 1
  August 20 - Recycling Vintage Fabrics
  July 20 - Sanforized: Fabric's Best Friend
  June 20 - History of the Printed Tablecloth
  May 20 - Decorative Relief Carving in Wooden Spools
  April 20 - Vintage Hankies - More Than Sneeze Catchers
  March 20 - Indian Head Remembered - Revisiting An American Institution
  February 20 - Doll Couture Vintage Style
  January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
  December 20 - Osnaburg the Great Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
  November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
  October 20 - WWII Fashions Part 2 --All Dolled up
  September 20 - Cotton Dyeing in the 18th & 19th Century
  August 20 - Hooked on Buttons
  July 20 - Pillow Talk
  June 20 - WWII Fashions
  May 20 - A Going-Away Dress
  April 20 - Harriet Quimby
  January 20 - Capes
  December 20 - Umbrellas
  November 20 - Weaveprints
  October 20 - Grenadine
  September 20 - Bias Tape
  August 20 - Dolls
  July 20 - Thread Chart
  June 20 - Vintage Costuming
  April 20 - Building A Textile Reference Library
  March 20 - Profile of Collector
  February 20 - Feedbags
  January 20 - Cambric
  December 20 - Gizmos
  November 20 - Trims
  October 20 - Stores 1920-59
  September 20 - 1880-1919
  August 20 - Sweatshops
  July 20 - Label Scandal
  June 20 - Bias Tape
  Extra: Bias Tape Chart
  May 20 - Miracle Fibers
  April 20, 2000
  March 20, 2000
  February 20, 2000
  January 20, 2000
  December 20, 1999

 

 

fabrics.net

Vintage Fabrics  - IN SEARCH OF WARP ENDS
By Joan Kiplinger
Join Joan's Vintage Fabric Discussion List!


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July/August, 2001:

Vintage Thread Chart & Photo Gallery
Spool Sizes & Shapes
(Click on the pictures for a larger view)



Large bow ties -- American Thread's Twist DeLuxe 1930s, American Thread's Star DeLuxe 1930s, Coats 1950s-60s, unknown.


Assorted bow ties medium -- Belding Corticelli 1950s-60s, Max Pollack's Knight Brand 1940s, Belding Corticeli 1950s-60s, Coats 1930s, unknown.


Assorted bow ties small with 1 large guest: Cortecelli 1950s,  John Clark's Mile End, 1940s, unknown, Clarks ONT marking cotton 1940s.

Assorted bow ties smallest -- Clarks ONT 1930s, Clarks ONT early 1900s, John Clark's Mile End, notice hard rock maple.


Standard size spools, larger size

Standard type spools smaller sizes. While standard spools may look to be same size and style, there are slight variations by manufacturers. This is most noticeable in rim shape and thickness.


Sometimes bobbins are overlooked as spools. Here is an assortment of sizes and substances ranging from wood to plastic to foam to waxed cardboard. Side view shows difference in bobbin thickness.

By early 1970s other substances began to replace wood  for spools -- Talon American's black plastic that defies black-painted wood,  Max Pollack's cardboard cylinder, Belding Lily's foam and Clark's ONT early plastic. All spools date late 1960s-early 1970s.

Colored spools played an important part for recognizing thread categories other than dressmaking. Most companies dyed their spools brilliant colors to denote heavier and stronger threads such as carpet and heavy duty. Shown here are Erin's Pride [linen] orange, Aunt Lydia's red, Clark's ONT green, Clark's ONT navy and an unknown black which appears to be from a sewing kit.

Many thread companies took pride in the appearance of their spools. They were and are valued as much as the thread wound on them -- Belding Corticelli's stained and waxed maple, Fleischer's High Test maple, Belding's waxed maple, an unknown British brand with milled and beveled rims, J & P Coats hard rock maple with scrollwork at both ends, and John Clark's Mile End beautiful hard rock maple with scrollwork at one end as
shown in inset.

Thread Chart | Spool Sizes and Shapes | Labels - Misc. | Labels 2 - Misc. | Labels - Belding Corticelli Richardson | Labels - American Thread Co., Globe Silkworks, Gudenbrod Bros., Paragon Thread Co., Sears, Talons, Cutter Silk Mfg. Co. | Labels - Coats & Clark | Ads | Ads Page 2 | Thread Memorabilia | Printed Literature | Cabinets / Furniture | Thread Column First Page | Crochet, Knitting and Tatting on Wood Spools

 


The arbitrary cut-off date for this Vintage Fabric column is 1960. To stay within the scope of this timeframe, reference materials published up to that date are the prime source of information to more accurately capture actual thoughts of the time.

Joan Kiplinger is an antique doll costumer and vintage fabric addict who learned to sew on her grandmother's treadle and has been peddling fabrications ever since.

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