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April 20, 2007
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We have a new Columnist! Ask Jennifer all your dyeing questions..
Vintage Fabrics
November 20 - A Celebration of Joan Kiplinger 1933 - 2009
February 20 - Is There a Silver Moon in Your Quilt?
January 20 - Part III: Any Powder Puffs or DayLee in Your Quilts?
December 20 - PART II: Any E&W Prints in Your Quilt?
November 20 - PART I: Any Rondo Prints in Your Quilt?
May 20 - Wrights - Memories of an American Institution
May 20 - Underground Railroad Quilt Code
October 20 - Up Close and Personal with Vintage Aprons
November 20 - Colorful Vintage Tablecloths and Towels
September 20 - The Legacy of Warren Featherbone
May 20 - Some Costumes for Elderly Ladies
March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
February 20 - Life Was a Breeze with Fans
January 20 - Please Don't Ridicule My Reticule!
April 20 - More Mill Connections
February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
January 20 - The Indian Head Connection 3
October 20 - The Indian Head Connection 2
September 20 - The Indian Head Connection 1
August 20 - Recycling Vintage Fabrics
July 20 - Sanforized: Fabric's Best Friend
June 20 - History of the Printed Tablecloth
May 20 - Decorative Relief Carving in Wooden Spools
April 20 - Vintage Hankies - More Than Sneeze Catchers
March 20 - Indian Head Remembered - Revisiting An American Institution
February 20 - Doll Couture Vintage Style
January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
December 20 - Osnaburg the Great
Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
October 20 - WWII Fashions Part 2 --All Dolled up
September 20 - Cotton Dyeing in the 18th & 19th Century
August 20 - Hooked on Buttons
July 20 - Pillow Talk
June 20 - WWII Fashions
May 20 - A Going-Away Dress
April 20 - Harriet Quimby
January 20 - Capes
December 20 - Umbrellas
November 20 - Weaveprints
October 20 - Grenadine
September 20 - Bias Tape
August 20 - Dolls
July 20 - Thread Chart
June 20 - Vintage Costuming
April 20 - Building A Textile Reference Library
March 20 - Profile of Collector
February 20 - Feedbags
January 20 - Cambric
December 20 - Gizmos
November 20 - Trims
October 20 - Stores 1920-59
September 20 - 1880-1919
August 20 - Sweatshops
July 20 - Label Scandal
June 20 - Bias Tape
Extra: Bias Tape Chart
May 20 - Miracle Fibers
April 20, 2000
March 20, 2000
February 20, 2000
January 20, 2000
December 20, 1999
Ask Andy
December 20 2007
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Guest Columnists
Dyeing Stretch Velvet
Sewing Dance Costumes as a Business
Window Treatments
Stretch Velvet
QuiltVisions
September 20 - Quilt colors
July 20 - Quilt colors for summer weather: Are you ready?
September 20 - Can every quilt be your favorite?
April 20 - Ideas: Springtime color bursts feed our imaginings
March 20 - Quilt ideas are You-nique
August 20 - Inspiration is all around us
May 20 - Purpose leads quilters to joyful adventure
January 20 - Remembering loved ones with a quilt vision
December 20 - Pleasing, honoring, creating = JOY
November 20 - It's Not too Late For a Christmas Quilt!
October 20 - Recipe for happy quilts: Seeing Red!
August 20 - State Flowers: the longest online swap?
July 20 - Summertime and a quilt is. .
June 20 - Black and white and. . . what?
May 20 - Busy agenda vs. quilt workshops
April 20 - Challenge quilts try us, stretch us
March 20 - Inspirations at home make quilts sing and bloom
February 20 - A Joyful Quilter is a Treasure
January 20 - Imagination sparks Elm Creek quilters and us!
December 20 - Whoops! Ten tips to turn celebrations into quilts
November 20 - What's good enough for Grandma is good enough for me!
October 20 - What's in a name?
September 20 - Heart influences
August 20 - Color studies prove magical
July 20 - United in Memory Quilt
June 20 - Purple and gold
May 20 - Color your world with Wow!
April 20 - Themes carry out dreams
March 20 - Quilt Condos and Communities
February 20 - "I just did it"
January 20 - Small Groups
December 20 - Lively Quilts Get Out of Bed
November 20 - How are we Remembered?
October 20 - Quilt Shows
September 20 - Comforting NY
August 20 - Spirit and joy
July 20 - Shop, Shop...
June 20 - There's always a beginning
A Quilter is Born
October 20 - Washington Quilt Show
August 20 - Fabric Choices
July 20 - Quilting Disasters
June 20 - Guilds and Groups
May 20 - A Quilter is Born
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|
|
August/September, 2000:
Fast Times at Textile High
Vintage Sweatshops and Fraud Meet the Law
| ¨ She sat by the streamside
plaiting sinew and intestines from skinned animals her mate had discarded to make body
coverings for her family. Nearby, her sister was weaving lighter coverings from wild
grasses. Neither could fathom progress beyond that moment, not even that life in the stone
age would get better. |

Wattling --thought to be the most primitive form of weaving. Reeds used for
clothing and utensils; sticks and twigs for housing. - Textiles,
1926 |
| ¨ They knew no other life
but as captives and making cloth for their pharaoh from dawn to dusk. What they were
weaving would have no equal in modern times, linen 540 threads to the inch. There was no
pay; their limbs were misshapen from squatting before a loom. Of course this was 2640 B.C
Egypt. But man progresses and things will get better, right? |

An old print of ancient Egyptians spinning and weaving. - Story of Textiles,
1912
|
¨ The six year old cried silently but
continued spinning her linen as the guild matron high in her pulpit rang a bell to signal
a whipping for the young friend beside her who was charged with being neglectful. Of
course this was 1677 Germany. But man progresses and things will get better, right?
¨ The street smelled continuously as it was the only place
for refuse of any kind. In shoddy factory town housing, families were packed together in
unhealthy, filthy living conditions, forced to eat from one plate and sleep in the same
bed, work long hours spinning for almost no pay. Of course this was 1788 England. But man
progresses and things will get better, right?
¨ Across the sea at a mill young girls with flax fastened
to their waists spun with both hands as younger children turned the wheels for them 10
hours every day but Sunday. Of course this was 1789 New England. But man progresses and
things will get better, right?
¨ She screamed but to no avail as she was stampeded to
death by the onrush of several hundred seamstresses racing to escape the engulfing flames.
Of course this was 1911 New York Citys lower east, the great Triangle Shirtwaist Co.
fire , a tragedy where 150 lives were lost due to burning or jumping out of windows, all
because exits on the upper floors of the loft building had been locked to prevent
"loss of materials." But man progress and things will get better, right?.
¨ And of modern times? Sweatshops and backstreet operations
still exist anywhere on this globe under conditions which rival the worst of the past. But
man progresses and things will get better, right?
And How Was Your Day at Work, Dear?
Since the beginning of time man has commandeered fellowmen, women, children and
slaves into service with little or no regard for their welfare. The textile industry was
no exception in its rise to power.
| From cave clans to tribal communities to feudal home systems to
guilds to village mills, just about everyone not hunting, fishing or farming were pressed
into spinning and weaving by local decrees of one type or another. And
regardless of the passage of time, workers for the most part were underpaid, overworked
and poorly trained and had to contend with technology threatening their jobs or depriving
them of employment.
|

Old prints of German domestic flax wheel and Hindus spinning and
weaving. - Story of Textiles, 1912 |
| To their credit, some employers did attempt to establish model
workplaces but they were the rare exception. One benevolent mill owner was Samuel Slater
who owned the Old Slater Mill in Pawtucket, Rhode Island. In 1791 he paid his older
skilled laborers $1.30 a week, a very handsome sum compared $1.20 for a 16-hour-day week
at another mill in 1811. |

Carding, drawing and roving at Slater's Mill. Note on this print, and other
prints in this article, how ideal artist's renderings tend to be-- too bad aroma can't be
captured by the brush. Charles Dickens called it a model workplace on a tour in 1836. - Story
of Textiles, 1912 |
However, it took the industrial revolution and the creation of a middle class
beginning in the 19th century to slowly reverse working conditions. Charles
Dickens in a visit to America in 1836 was impressed with the Lowell Mills in Lowell,
Massachusetts, noting the healthy appearance of workers, clean living quarters and a
healthy diet and that few children were employed.
By the 20th century special buildings were needed to house the new
larger and more sophisticated machinery. This forever changed the workplace from a cottage
industry to a factory setting. Despite improved production methods and some labor
concessions, textile workers still saw little improvement in wages, hours and working
conditions.
 A modern mule spinning room in 1912
at Potomasha Mills, New Bedford, Mass. - Story of Textiles, 1912 |
 Modern weave room in 1912 at Chicopee
Mfg. Co., Mass. Commercial photos of these two mills want you to believe these are
ideal workplaces; possibly they were as the author was very particular about employer
practices. - Story of Textiles, 1912
|
A strong push by Samuel Gompers in the 1880s for worker reform and organization
for labor in all sectors resulted in the newly reorganized Federation of Organized Trade
and Labor Unions in 1884, later to become the powerful AFL
In 1900 the Womens Trade League was formed to educate women about the
advantages of union membership. In 1909 women from the needle trades [garment and textile
workers] struck under the banner of Ladies Garment Workers. Known as the Uprising of
20,000, they fought against shirtwaist and dress manufactures and won a 52-hour week plus
wage increases.
Two years later the tragic fire at New Yorks Triangle Shirtwaist Factory
[p.1] paved the way for industrial safety and fire prevention measures.
Radicals in 1912 defied employers at a mill in Lawrence, Massachusetts. The
Industrial Workers of the World, called Wobblies, struck against a 3-1/2 percent pay
decrease and an increase of two hours to a 54-hour work week. The strike restored pay and
hours.
But so pitiful were conditions that in 1916 author Laura Baldt decried in
her book on sewing and clothing that it was "highly important that the purchaser
should know of conditions which attend the laborers engaged in the preparation of fibers,
the manufacturer of fabrics and wearing apparel, so that they may aid the growing endeavor
to better these conditions through investigation, the enactment and enforcement of laws
and the education of the individual buyer."
She cited the plight of woman and children who had been "forced to huddle
in overcrowded, badly lighted, poorly ventilated tenement houses where long hours, little
pay and ill heath are the common lot of all. The evils they face are unprotected
machinery, firetrap buildings and bad sanitary conditions."
| Her narrative points out that some states had passed laws
regulating hours, compulsory school attendance and no employment of children under
the age of 14, and that some factories and department stores were beginning to provide
good lunch and restrooms and working conditions. In all likelihood, she
concluded, this probably resulted from the efforts of the National Consumers League
established in 1914 to improve garment workers lives. The League published a white list
containing names of compliers who had earned the right to display the Leagues label
by meeting League requirements. The League also urged consumers not to buy unless its
label was displayed. |

Crusader Florence Kelly, head of the National Consumer League, recognized
that tenement garment factories bred diptheria and measles which infected workers,
products and ultimately consumers. To reduce such epidemics, the League vigorously
campaigned for legislation to improve working conditions. -Pictorial Review, May
1914

National Consumers League label was affixed to ready-made articles that were
manufactured in factories under sanitary conditions and displayed in departments stores
where employees received fair treatment. Consumers felt secure in giving their
patronage where label was displayed.
-Textiles & Clothing, 1919 |
A sign that times were changing for the better was noted by textile educators
Mary S.Woolman and Ellen Beers McGowan in a 1926 revision of their 1913 book Textiles.
"The Great War raised the price of all textiles and brought about
conditions which made necessary for an entire reorganization of textile industries.
Textile study, as a part of education for teaching Home Economics, now touches fields of
scientific, sociological and economic interest. Departments of the government are working
with women in the standardization of textiles. the industries are seeking the cooperation
of the woman consumer. Honest advertising, the training of the sales force, truth in
statement and research in all textile fields are movements which have risen since this
book first appeared.
"To interpret these new conditions, to meet the needs of the women who have
been brought into new and vital relations with the industrial world, to keep pace with the
widespread strengthening of the Home Economics Movement and the awakened interest in
textiles of three million consumers in the General Federation of Womens
Clubs
.have made necessary a complete revision of this book."
It is not within the scope of this column to cite all the gradual and hard-won
advancements gained by laborers, but it is from their early unrest and strikes that many
laws were passed locally and nationally to protect them. As a matter of national policy,
the Taft -Harley Act of 1947 gave legal status and protection to unions and named them the
collective bargaining agent.
Ironically, the birth of unions was their ultimate demise. The 1970s marked a
low point as textile and other industries headed overseas. Sadly, few mills remain in the
US and we now look overseas for some of the finest in fabrics.
Thoroughly Mix Glue and Starch and Add a Pinch of Goat Hair
At the same time workers were fighting substandard labor practices and low
wages, they were caught in the middle by the increased output enabled by new technology.
By the 1920s there was great demand for cheap and novelty fabrics. Rather than
investing in research and development manufacturers bowed to the prospects of increased
profits.
| Weavers, dyers, designers, spinners, finishers and others worked at
neckbreak speed with little or no training and supervision to meet the burgeoning orders
from retailers and other end users. These inferior goods produced of untested, poorly dyed
fibers coupled with untried new weaves, mostly rayon and rayon blends, caused considerable
damage to the industrys reputation here and abroad. American mills became noted for
their untrustworthy and adulterated materials. |

One cause of consumer outcry: black sulfur, an extremely fast black
coloring, was used in dyeing cotton goods and hosiery. If fabric was stored for any
length of time in storehouses or retail shelves, especially in warm weather, free sulfur
oxidized forming sulfuric acid and attacked dyed yarns. When fabric was laundered,
tendered yarns washed away. - Textile Fabrics, 1927 |
Poor-grade cottons were heavily sized and starched or otherwise disguised to
resemble quality woven, highly mercerized goods. Often seconds and damaged fabrics were
passed off as perfect. To their chagrin, both sewers and buyers would often find after
laundering that their garments would be in shreds, misshapen and gauzy or discolored from
loss of sizing and dye runs.

Bellmanizing [Bellman Brook Bleachery Co.] and Sabel [Kendall Mills] were
starching finishes for adding crispness to cottons. Their labels assured that finish would
not wash out and that garment or fabric was top quality. - Textile Fibers and
Their Use, 1948 |

Sanforizing [Cluett, Peabody & Co.] assured consumers that shrinkage was
guaranteed to be not more than 1%. Without this label, buyers could expect a typical
fabric or garment shrinkage between 3% to 5%. - Textile Fibers and
Their Use, 1948 |
| While manufacturers of quality goods tried to protect their names
by giving trade marks and brand names to their fabrics and identifying them with selvage
stampings to denote quality products, less scrupulous manufacturers produced imitations,
misleading the consumer with names which implied fibers were genuine silk, wool or linen
linene, linette, butcher linen, silkene, silkette, artificial silk [rayon].
Gradually these names were outlawed. |

Consumers had every confidence when they bought fabrics with selvages
stamped with these three respected brand names and trademarks.
Indianhead was a sturdy quality muslin. Flaxon [Federated Textiles] and Cloth of Gold
[Warren Featherbone Co.] were high-quality lawns,
nainsnooks, batistes, longcloths and dimities and other fine cottons. |
The production output was so bad that in the early 1900s and into the 1920s and
30s many authors of textile reference and sewing books, such as Laura Baldt mentioned
earlier, departed from educational narrative to devote several chapters to consumer
education and berating the industry, urging industry-wide reforms both in production
methods and quality of employee training. And if the industry could not or would not heal
itself, then government should pass laws to protect the the buying public.
The first regulatory action to protect consumers and regulate commerce was the
creation of the Federal Trade Commission in 1914. It had jurisdiction over commerce
between states and foreign nations and broad powers to investigate and prevent unfair
methods of competition.
In 1918 the American Standards Association was formed to provide specification
guidelines to the industry. Silk, cotton, wool and the overall textile trade industries as
well as a number other textile-related groups each formed associations to aid in the
raising of production standards and promoting quality control.
Here are some notable actions as a result of their collaboration and leadership:
1921 Federal Specification Board, organized under the Bureau of
Budget bidders to supply government with fabrics or garments had to meet
specifications for fiber content, type of construction, color, weight and, freshness as
tested at Bureau of Standards .
| 1924 -- artificial silk was legally changed to rayon.
Imitators of fabrics such as Viyella's patented 55% virgin wool/45% cotton blend washable
flannel had to state their fiber percentages and choose brand names that
could not be confused with Viyella. Clydella, containing less than 25% wool, was an
example of a worthy competitor. |
 Two
fabrics whose labels guaranteed product was genuine in name and fiber content. Because of
patents, imitators had to use different fiber percentages. - Textiles: Fiber to
Fabric, 1967 |
1938 -- National Consumer Retailers Council established to
stimulate adequate standards for consumer goods and informative labeling. However, as late
as 1948 labels were more advertising than educational.
1939Wool Products Labeling Act of 1939 [effective1941] -- presence of substitutes
and mixtures in spun, woven, knitted, felted in wool products had to be stated. Specific
definitions were given for wool fiber of sheep, goat and other specialty fiber animals,
reprocessed wool, reused wool and wool product. Illegal transportation of misbranded
products was punishable.
1948 Specifications released by ASA for muslin and percale bleached cotton
bedding weight, size and thread count.
1949 [1953] Specifications released by ASA for minimum requirements for rayon and
acetate fabrics; named 51 end uses and tests to determine if fabric suitable for specified
end use. Color tags or sewn-in in labels were recommended: red = dry cleanable; yellow =
wash at hand temperature of 195 degrees F; green = wash up to 160 degrees F.
1951 [52] Fur Products Labeling Act -- protects consumers and others against
misbranding, false advertising and false invoicing of fur products and furs.
1953 [54] Flammable Fabrics Act -- prohibits introduction or movement in
interstate commerce of articles of wearing apparel and fabrics which are so highly
flammable as to be dangerous when worn by individuals.
1958[60] Textile Fiber Products Identification Act -- protects producers and
consumers against misbranding and false advertising of fiber content or textile fiber
products. Labels are required for generic name and percentages of all fibers present in
amounts more than 50%; label must disclose name of person and firm marketing products and
source of imported fiber produce. Provides specific definitions of silk, wool,
linen, cotton and 16 generic manufactured fibers. Trademarks have
to be linked with generic names of fiber [65% Dacronä
polyester, 35% cotton, for example]. If there is no trademark then labeling such as 80%
rabbit, 20 nylon is acceptable.
1962 Government uses ASA standards for purchasing bedding for military services
and agencies.
| While the cut-off date for this column is 1960 it is imporatant to
note that from the 1960s onward many consumer protection laws were enacted and existing
ones amended. One important one was the US Federal Trade Commission Care Labeling Rule of
1972 specifying labels to carry information about washing, dry cleaning and pressing. |

Post-1960 labels were necessary with the proliferation of new man-made
fibers. However most labels were more promotional than informational up until the more
rigid specifications of the 1972 Label Information Act. - United Piece Dye
Works, 1964 |
As new health, environmental and safety measures are required and new synthetics
are produced, more than ever detailed label information is a necessity for the consumer.
This is particularly important for sewers who mostly have to rely on minimum manufacturer
information printed on the bolt.
So often we take fabric for granted without realizing its backbreaking
heritage and the enormity of bringing it to the retail counter. The next time you see a
ball of cotton or some shorn wool, reflect on all the money, persons, equipment and
specialized skills that it has taken and all the struggles and tragedies endured to turn
them into cloth.
References:
The Story of Textiles, Perry Walton 1912
Pictorial Review, Passing of the Hired Girl May 1914
Textiles & Clothing, Ellen Beers McGowan and Charlotte Waite 1919
Lippincotts Home Manual, Laura Baldt 1922
Grace Denny, Fabrics 1923, 1928, 1962
Textiles, Woolman and McGowan 1926
Textile Fabrics, George Johnson 1927
Textile Fabrics and Their Use, 4th edition, Katherine Paddock Hess 1948
Guidebook to Man-made Textile Fibers, United Piece Dye Works 1964
Textiles -- Fiber to Fabric, Potter-Corbman 1967
AFL-CIO American Federationist, UAW Local 1866 March 1981
Fabric Reference, 2nd edition, Mary Humphries 1999
UPDATES
Good shopping:
Linda Breman, bobbin lace artisan, offers a wide range of
vintage fabric, linens, clothing, accessories curtains, trims and wedding gowns, mostly in
the 1920-70 range; also custom work and repair at http://www.vintagefiberworks.com or
email her at hippie51@aol.com
Rosies Needlebook Museum offers a fascinating history on needlebooks,
collections, talk and trade plus links to other unusual related museums and sites. http://www.geocities.com/wellesley/garden/7484
or email owner Connie McGinnis at rosierider@yahoo.com
More auction goofies:
§ This fabric would make a gorgeous
dress with a full skirt of lovely sheer curtains
§ Vintage sheer vicuous
Keep checking your bias tape and rickrack wrappers against bias tape chart for updating. The original chart started out
two months ago with 28 brands; current total is 70! The response of many contributors is
sincerely appreciated.
Next:
A stroll through yesteryears fabric stores
The arbitrary cut-off date for this
Vintage Fabric column is 1960. To stay within the scope of this timeframe, reference
materials published up to that date are the prime source of information to more accurately
capture actual thoughts of the time.
Joan Kiplinger is an antique doll costumer and vintage
fabric addict who learned to sew on her grandmother's treadle and has been peddling
fabrications ever since.
|