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Vintage Fabrics
  November 20 - A Celebration of Joan Kiplinger 1933 - 2009
  February 20 - Is There a Silver Moon in Your Quilt?
  January 20 - Part III: Any Powder Puffs or DayLee in Your Quilts?
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  May 20 - Wrights - Memories of an American Institution
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  October 20 - Up Close and Personal with Vintage Aprons
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  September 20 - The Legacy of Warren Featherbone
  May 20 - Some Costumes for Elderly Ladies
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  February 20 - Life Was a Breeze with Fans
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  February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
  January 20 - The Indian Head Connection 3
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  August 20 - Recycling Vintage Fabrics
  July 20 - Sanforized: Fabric's Best Friend
  June 20 - History of the Printed Tablecloth
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  April 20 - Vintage Hankies - More Than Sneeze Catchers
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  December 20 - Osnaburg the Great Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
  November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
  October 20 - WWII Fashions Part 2 --All Dolled up
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  Extra: Bias Tape Chart
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fabrics.net

Vintage Fabrics  - IN SEARCH OF WARP ENDS
By Joan Kiplinger
Join Joan's New Vintage Fabric Discussion List!


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May/June, 2000:

Miracle Fibers: rayon and nylon

First there was rayon, then nylon. They weren’t very lovable, despite the hype promoting their advantages. Thanks to technology not only have they become acceptable, but they laid the groundwork for generations of new synthetics.

For some reason, early rayon and nylon tend to be passed over by most vintage fabric collectors. They are not suitable for quilting nor heirloom sewing nor much in demand for street wear. It is probably the theatrical and historical costumers and to some extent doll dressers who most seek these fabrics.

Up to 1960 synthetic names were marketed far enough apart to be solidly identifiable and recognizable – the rayons, nylon, orlon, dacron, acrilan and vicara. We knew what to do with them, how to sew with them; what to expect of them. Then beginning in the early 1960s fiber construction took on a whole new meaning and from that point on most of us felt we needed a degree in textiles and Latin to navigate the fabric stores.

As the histories of rayon and nylon are interesting, this column talks to their development rather than the fabric.

From rayonne to artificial silk to rayon

Of all the synthetics rayon is probably the most confusing and misunderstood and received the worst press.

To begin with, rayon is not a true synthetic. It is made from cellulose, the solid part of cell walls for plant life. Cellulose for rayon is obtained from wood pulp and cotton linters which are short fibers left on the cotton seed after the long fibers have been removed. There are three processes used in its manufacture to produce viscose, cuprammonium and acetate. Each has its own special properties.

Rayon has been around for more than 250 years but not as a fabric. The term rayon has only been with us since 1924.

The idea to artificially duplicate the silk worm process was advanced in 1665 by an English scientist. It lay dormant until 1754 when a French scientist reported it was possible to make varnishes into threads which imitated silk. More than 100 years later another Frenchman, Count Chardonnet, produced the first fiber having commercial success as a textile. In 1884 rayonne was born from his nitrocellulose process.

Right on its heels the cuprammonium process was developed, a third in 1982 by two Englishmen called viscose , followed by acetate. The Chardonnet process is no longer in production.

Rayonne was more widely known as artificial silk. The name was outlawed in 1924 and the name rayon was given to the fabric. Manufactured in this country in 1911, artificial silk got a cold reception from the public. It was not good looking nor good wearing and as late as 1920, wound up on bargain counters.

Eventually, rayon started to catch on. In 1930 Sears offered yard goods in rayon and cotton flat crepe, rayon and cotton brocaded flat crepe, rayon and cotton alpaca and an assortment of washable all-rayon flat crepes. In 1933 Sears offered rayon taffeta guaranteed not to crack, rayon twill satin, textured rayon crepes and rayon seersucker, all sunfast. By 1939, Montgomery Wards was offering Petalspun, an all-spun washable rayon; Petalqeen, all rayon flat crepe prints with only 1% shrinkage; and Spunblend, a spun rayon and cotton blend. All rayons were advertised as being brilliant new patterns

However, even as late as the 1950s rayon or rayon blends in yard goods and ready to wear were still suspect. Anyone who is familiar with butcher linen knows the horrors of this fabric stretching lengthwise while shrinking crossgrain, of bemburg-type sheers stretching unevenly causing hemline havoc and in general, the rotting of fibers around armholes and seam puckering and splitting.

Fortunately research continued to improve the production process, making rayon an essential fiber that proved it could be attractive and desirable on its own or as blend with natural fibers.

For quick reference, here is a summary of how rayon is made and the three methods by which cellulose is transformed into rayon yarn:

VISCOSE cellulose is treated with caustic soda and carbon bisulphide, converting it into a gold liquid about the color and consistency of honey, called viscose. Viscose is forced through fine holes in end of a nozzle, called a spinnerette, directly into a chemical bath where it hardens into fine strands. When washed and bleached these strands become rayon yarn.

Viscose was first introduced commercially in this country in 1911 and by 1950 accounted for 66% of US rayon production.

ACETATE cellulose is combined with acetic acid [refined vinegar] making a substance called cellulose acetate. This is dissolved in acetone, then forced through the holes in a spinnerette directly into a tube. In the tube, warm air evaporates the acetone and the cellulose acetate emerges as dry filaments.

Acetate was first introduced in this country on a commercial basis in 1919 and by 1950 accounted for 32% of rayon production.

CUPRAMMONIUM purified cotton linters or wood pulp are treated chemically with copper ammonia which dissolves cellulose. The liquid thus obtained is pumped through the holes in a spinnerette into a solution which coagulates it into filaments.

Cuprammonium was first produced commercially in this country in 1927.

Filament Rayon rayon yarn, regardless of process, is produced in the form of a continuous thread and is known as filament rayon.

Spun Rayon rayon can be made or cut in short lengths and are called rayon staples. They are twisted together [spun] into yarn and known as spun rayon fabrics.

By 1950, 104 fabrics were available as rayon blends.

That interest in vintage rayon flourishes is evidenced by collectors of vintage Hawaiian aloha shirts. Many are made of rayon and a book is being written on the history of this subject.

NYLON 66: the first true synthetic fiber

It was a fiber no one was looking for back in 1927 when DuPont scientists were deep into research on learning basic scientific facts that would benefit all humanity.

One of those facts concerned understanding how and why small molecules that make up all matter sometimes unite to form giant molecules found in silk, cotton, rubber and other materials. This giant molecule is called a polymer, which means many parts.

During the next two years of research, the scientific team learned that small molecules unite to form chainlike molecules of great length similar to paper clips. They are called linear superpolymers.

One of the chemists working with a batch of molten material belonging to the superpolymers noticed he could draw it out into a long fiber like taffy candy. When cooled he found it could be pulled out to three or four times of its original length. Such a thing had never been seen before in this type of compound. It was not a strong fiber nor elastic and didn’t look as though it would be good for anything.

But the team persisted and succeeded in creating a type of polymer called a polyamide. and squirted it from a hypodermic needle. Thus was produced the first fiber now known as nylon.

So promising was this fiber, dubbed polymer 66, that it took 10 years to perfect it and have it reach the public. It was estimated that the first pound of nylon produced cost $27 million.

Toothbrushes with nylon bristles were the first products to be sold in the country in 1938. From thick bristle to fine thread took all the efforts of scientists and everyone connected with the textile industry. In 1939 the first nylon-yarn spinning machine went into operation and on May 15, 1940 nylon hose went on sale and it was bedlam at every store.

World War II cut short the commercial success of nylon. When it became available after the war, it was a disappointment. One suffocated in nylon garments; whites yellowed and could not be restored; it was a wrinkled mess after washing and difficult if not impossible to iron; seams puckered and split. My personal experience with the first yard goods available around 1947 was terrible. Fabric was wispy, clingy and hard to cut; thread to sew with had not been perfected. Seams frayed to nothing as they were being stitched.

As with rayon, research kept improving nylon’s capabilities and led to other polymer textiles: orlon, an acrylic fiber, in 1950, followed in swift succession by two other acrylics dynel and acrilan.; then the first polyester terylene, produced in Britain. DuPont bought the rights to produce it here and called it dacron.

By 1957 nylon was gaining respect. Wards catalog of that year offered floral and dotted swiss flocked nylons, nylon chiffon, assorted dress lengths in bold print nylon, arnel and cotton, arnel sailcloth, dacron shantung, dacron and rayon linen weave, and all-dacron suiting.

The 1950s was the last decade for natural fibers to dominate. To get an idea of the explosion of man-made fibers [now called manufactured fibers] which started in the 1960s and has not let up, see the January and February columns for the flood of rayon and MF trademarks.

Sources: Textile Fibers and Their Use, Katherine Hess, 1948

Rayon Glossary, American Viscose Corp, 1950

Miracle Fabrics, Newcomb & Kenny, 1957

UPDATES 1. Another vintage fabric source: Julienne Stewart of Point Pleasant Beach NJ. offers a wide selection of oldies; will provide swatches and scans. Web site under construction. Email her at zuhzuh@home.com

2. A new mail list to discuss vintage fabrics was formed several weeks ago. To join, web site is http://www.quiltropolis.com Access mail list, then vintage fabrics to register. It’s free and fun. Swap, share, ask and learn. Includes fabric swatch exchange.

2. At trail’s end – in tracking down indianhead, quadriga and kettlecloth, I had contacted the Museum for Textiles in Ontario Canada. Research staff informed me that the textile industry kept poor records. Many were destroyed by fire so thrown out as space was needed. I did manage to obtain a 1953 ad for E&W quadriga cloth, so at least we have a manufacturer. However, I cannot find any reference to this company.

 MORE FRACTURED FABRICS

Goofies from the auction sites: Beautiful lace and crotch trim [thanx, LS,]

Old and beautiful peka

Poking fun at my own goofies Are there words whose definitions you simply cannot remember and you have to run for the dictionary each time? I have great difficulty with the following fabrics. For some reason I get a mental vision of something else which always takes precedence and poses a stumbling block to registering the real meaning. When I first saw the words below, these were the first impressions I had and they are indelibly stamped forever:

Balbriggan – something pirates use to string up victims

Brilliantine – a little dab’’ll doo ya

Fustian – someone who loves the opera Faust

Henrietta – I saw the TV movie where stars fell on this

Prunella – sister of Cruella deVille [the one who stole Disney’s dalmations]

Tricotine – something to chew on like tobacco or gum

Wigan – southern Ohio or Pittsburghese for wagon [Cleveland strikes back]

If you have any fabric deficiencies, share them with us.

New Project Next month deals with bias tape and will feature a list of all the brands and manufacturers and other information. Researchers are members of the Quiltropolis vintage fabrics list. This will be an ongoing project with a lot of holes to fill in. Judith and Jessie of fabrics.net will format this information in chart form to show at a glance manufacturers, brands, types of bias tape fabrics, company history, other products. You are invited to join us in this project so check your bias tape wrappers.

Joan Kiplinger is an antique doll costumer and vintage fabric addict who learned to sew on her grandmother's treadle and has been peddling fabrications ever since.

 


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