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Columns

Vintage Fabrics
  May 20 - Underground Railroad Quilt Code
  October 20 - Up Close and Personal with Vintage Aprons
  November 20 - Colorful Vintage Tablecloths and Towels
  September 20 - The Legacy of Warren Featherbone
  May 20 - Some Costumes for Elderly Ladies
  March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
  February 20 - Life Was a Breeze with Fans
  January 20 - Please Don't Ridicule My Reticule!
  April 20 - More Mill Connections
  February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
  January 20 - The Indian Head Connection 3
  October 20 - The Indian Head Connection 2
  September 20 - The Indian Head Connection 1
  August 20 - Recycling Vintage Fabrics
  July 20 - Sanforized: Fabric's Best Friend
  June 20 - History of the Printed Tablecloth
  May 20 - Decorative Relief Carving in Wooden Spools
  April 20 - Vintage Hankies - More Than Sneeze Catchers
  March 20 - Indian Head Remembered - Revisiting An American Institution
  February 20 - Doll Couture Vintage Style
  January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
  December 20 - Osnaburg the Great Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
  November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
  October 20 - WWII Fashions Part 2 --All Dolled up
  September 20 - Cotton Dyeing in the 18th & 19th Century
  August 20 - Hooked on Buttons
  July 20 - Pillow Talk
  June 20 - WWII Fashions
  May 20 - A Going-Away Dress
  April 20 - Harriet Quimby
  January 20 - Capes
  December 20 - Umbrellas
  November 20 - Weaveprints
  October 20 - Grenadine
  September 20 - Bias Tape
  August 20 - Dolls
  July 20 - Thread Chart
  June 20 - Vintage Costuming
  April 20 - Building A Textile Reference Library
  March 20 - Profile of Collector
  February 20 - Feedbags
  January 20 - Cambric
  December 20 - Gizmos
  November 20 - Trims
  October 20 - Stores 1920-59
  September 20 - 1880-1919
  August 20 - Sweatshops
  July 20 - Label Scandal
  June 20 - Bias Tape
  Extra: Bias Tape Chart
  May 20 - Miracle Fibers
  April 20, 2000
  March 20, 2000
  February 20, 2000
  January 20, 2000
  December 20, 1999

 

 

fabrics.net

Vintage Fabrics  - IN SEARCH OF WARP ENDS
By Joan Kiplinger
Join Joan's New Vintage Fabric Discussion List!


printer friendly version 

December/January, 2002

What Goes Down a Chimney Down But Not Up a Chimney Up?


From top:
Babylonian & Assyrian 1500 BD-550 BC
Ancient Greek 1500 BC - 1st Century BC
Ancient Persian 550 BC- Crusades


From top:
English 1790-1813
Silk tilting parasol 1796
Silk with galloon & gauze ruffle 1810
Pale blue silk with fringe 1813
Silk parasol with ivory and ebony handle 1813


Unadorned silk taffeta 1836

Silk with lacey net trim1856
Throughout history the umbrella has had its ups and downs! Its biggest competitors were the fan, face masque and sunglasses. But in the end, this shady device rose to top them all.

As early as 3000 BC the Egyptians used the parasol as protection against the sun. This was strictly a royal privilege and bearers did the carrying. Ditto this mode up to 550 BC for Babylonian and Syrian nobility.


Louis XIV 1680-1700s
hinged silk parasol (left)
silk parasol (right)


lady's silk mask, late 17th C.
Sometime between 1500 BC and the 1st century BC some clever ancient Greek women got the brilliant idea to use the parasol for shade also, so bearers began working double time.

From the 1st century BC to around 5 AD the parasol spread to ancient Rome where it was used by women to shield them from the sun. It was later copied by the men who probably needed some cool relief from overgraping at the local atrium boy's night out.

Meanwhile over in Persia from 550 BC through the Crusades, bearers were hoisting parasols over their masters who thought this was the niftiest idea since the harem canopy. Medieval Europe and Byzantium weren't interested but then considering their elaborate and weighty costumes and mile-high headwear they probably didn't have the strength to lift parasols above their towering heads.

It took the Italian renaissance to introduce parasols to European soil. By the middle of the 16th century Italians were juggling sunshades in one hand while riding horses. By 1610 someone figured out how to make parasols fold and the umbrella was born. It was leather, fastened to the hip when on horseback and used up to 1643 for shade only. France, England and northern Europe had no comment on this contraption.

Good old Louis XIV got things going in France. By the middle of the 17th century parasols [but not umbrellas] began bobbling about. They were Chinese pagoda-shaped with fringed edges and carried by pages.

From 1670 to 1715 it was fashionable to have small Negro boy servants brilliantly dressed to do the toting. From 1715 to 1775 as the parasol became smaller, French ladies began carrying their own. Folding umbrellas were reserved for rainy days only. The face masque, long popular for shade and sun protection, vanished.
The English were still not convinced and not much is recorded until 1787 when Britain manufactured its first batch. From that time on most anywhere in the world, the parasol gained ground, especially the small tilting one which was for walking and made in many styles. About 1830 a small hinged version was de rigueur when riding in a carriage.

As sporting events, railroad and traveling changed lifestyles, umbrellas and parasols continued to be part of the common street scene. From 1848 to 1870 silk and lace creations with ruffles and fringe were vogue; 1880, chiffon, embroidery and spangles were added; 1890, more ruffles with ribbons on the handles; by 1900 umbrellas were as essential to milady's costume as her corset.

Between 1910 -20, the pencil umbrella emerged, long and slim of black silk. Then parasols disappeared by 1930. The umbrella grew smaller, gave up its long handle and when closed was a stubby 20" long. It was used mostly with the new fashion rage - raincoats, making it a truly useful shelter from pelting skies.

The New Look in 1947-58 attempted to revive the long handle, but stubby proved stubborn. Today's modern umbrella is automatic, comes in all shapes and sizes and ruffles are back!

Certainly a variety of fabrics have been used for parasol, sunshade and umbrella coverings throughout history. Linen, cotton, leather, silk -- especially taffeta, lace and for the past century a light but durable cloth called gloria. In the early 1900s it was a soft twilled fabric of silk warp and wool filling, gradually giving way to cotton, then treated rayon and acetate, then nylon and now today's microfibers with new water repellent finishes. But regardless of fiber it is referred to as gloria by the textile industry. Now there's a real umbrella term!

Sources: Delineator 1909; Costume & Fashion, Cassin-Scott, 1971; and Mode In Costume, Wilcox, 1958
1870s: fawn silk with fluted trim [l] and scalloped corn silk A trio from 1885: silk windowpane, beribboned lace and embroidered silk with fringe.
Silk stripe from 1892 A heavy lace from 1909 From France: brown & beige silk with amber & wood handle, 1922 [l]. Colored silk, 1930 The New Look 1947-58. Top: silk umbrella with cobra handle, case & shoulder strap. Bottom: Silk with leather-covered handle.

The arbitrary cut-off date for this Vintage Fabric column is 1960. To stay within the scope of this timeframe, reference materials published up to that date are the prime source of information to more accurately capture actual thoughts of the time.

If you are interested in vintage fabrics and textile production, email Joan@fabrics.net . Your topic or query could be of interest to collectors and professionals whose hobbies or research require knowledge and use of old fabrics and their contemporary counterparts.

Joan Kiplinger is an antique doll costumer and vintage fabric addict who learned to sew on her grandmother's treadle and has been peddling fabrications ever since.


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