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Fabric Dyeing 101
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We have a new Columnist! Ask Jennifer all your dyeing questions..
Vintage Fabrics
May 20 - Underground Railroad Quilt Code
October 20 - Up Close and Personal with Vintage Aprons
November 20 - Colorful Vintage Tablecloths and Towels
September 20 - The Legacy of Warren Featherbone
May 20 - Some Costumes for Elderly Ladies
March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
February 20 - Life Was a Breeze with Fans
January 20 - Please Don't Ridicule My Reticule!
April 20 - More Mill Connections
February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
January 20 - The Indian Head Connection 3
October 20 - The Indian Head Connection 2
September 20 - The Indian Head Connection 1
August 20 - Recycling Vintage Fabrics
July 20 - Sanforized: Fabric's Best Friend
June 20 - History of the Printed Tablecloth
May 20 - Decorative Relief Carving in Wooden Spools
April 20 - Vintage Hankies - More Than Sneeze Catchers
March 20 - Indian Head Remembered - Revisiting An American Institution
February 20 - Doll Couture Vintage Style
January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
December 20 - Osnaburg the Great
Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
October 20 - WWII Fashions Part 2 --All Dolled up
September 20 - Cotton Dyeing in the 18th & 19th Century
August 20 - Hooked on Buttons
July 20 - Pillow Talk
June 20 - WWII Fashions
May 20 - A Going-Away Dress
April 20 - Harriet Quimby
January 20 - Capes
December 20 - Umbrellas
November 20 - Weaveprints
October 20 - Grenadine
September 20 - Bias Tape
August 20 - Dolls
July 20 - Thread Chart
June 20 - Vintage Costuming
April 20 - Building A Textile Reference Library
March 20 - Profile of Collector
February 20 - Feedbags
January 20 - Cambric
December 20 - Gizmos
November 20 - Trims
October 20 - Stores 1920-59
September 20 - 1880-1919
August 20 - Sweatshops
July 20 - Label Scandal
June 20 - Bias Tape
Extra: Bias Tape Chart
May 20 - Miracle Fibers
April 20, 2000
March 20, 2000
February 20, 2000
January 20, 2000
December 20, 1999
Ask Andy
December 20 2007
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2001
June 20 2001
May 20, 2001
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Guest Columnists
Dyeing Stretch Velvet
Sewing Dance Costumes as a Business
Window Treatments
Stretch Velvet
QuiltVisions
September 20 - Quilt colors
July 20 - Quilt colors for summer weather: Are you ready?
September 20 - Can every quilt be your favorite?
April 20 - Ideas: Springtime color bursts feed our imaginings
March 20 - Quilt ideas are You-nique
August 20 - Inspiration is all around us
May 20 - Purpose leads quilters to joyful adventure
January 20 - Remembering loved ones with a quilt vision
December 20 - Pleasing, honoring, creating = JOY
November 20 - It's Not too Late For a Christmas Quilt!
October 20 - Recipe for happy quilts: Seeing Red!
August 20 - State Flowers: the longest online swap?
July 20 - Summertime and a quilt is. .
June 20 - Black and white and. . . what?
May 20 - Busy agenda vs. quilt workshops
April 20 - Challenge quilts try us, stretch us
March 20 - Inspirations at home make quilts sing and bloom
February 20 - A Joyful Quilter is a Treasure
January 20 - Imagination sparks Elm Creek quilters and us!
December 20 - Whoops! Ten tips to turn celebrations into quilts
November 20 - What's good enough for Grandma is good enough for me!
October 20 - What's in a name?
September 20 - Heart influences
August 20 - Color studies prove magical
July 20 - United in Memory Quilt
June 20 - Purple and gold
May 20 - Color your world with Wow!
April 20 - Themes carry out dreams
March 20 - Quilt Condos and Communities
February 20 - "I just did it"
January 20 - Small Groups
December 20 - Lively Quilts Get Out of Bed
November 20 - How are we Remembered?
October 20 - Quilt Shows
September 20 - Comforting NY
August 20 - Spirit and joy
July 20 - Shop, Shop...
June 20 - There's always a beginning
A Quilter is Born
October 20 - Washington Quilt Show
August 20 - Fabric Choices
July 20 - Quilting Disasters
June 20 - Guilds and Groups
May 20 - A Quilter is Born
Fabric Distinctions
Kalasiris
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Wool
Corn
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Quality in Apparel
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August 20
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|
|
December/January, 2001:
Those Wonderful Gizmos Which Hold Us Together
I steal the above line from my uncle who watched my aunt fiddle and fuss for 15 minutes
deciding whether to use button loops, snaps or hooks and eyes on her dress. In
exasperation he finally exclaimed "Why do women need so d--- many gizmos to hold them
together!" To a five year old the sound of gizmo was a magical utterance, a password
to anywhere the imagination would go or want to be. It has been my favorite catch-all word
ever since.
| So where and when did all those gizmos originate? Snaps,
hooks and eyes, zippers, straight pins, safety pins, utility pins, fancy pins and, of
course, needles which are essential for fastening the fasteners -- they were around when
we were born, commonplace like white bread and vanilla ice cream. We dont give
much thought to the fact that at one time they didnt exist so hoorays must be given
to the genial gents and ladies of perception who invented some very important and
essential items which certainly give new meaning to closure.
You wont learn a lot of history here; the facts are skimpy. This is merely an
attempt to arouse your curiosity to do some deep fact hunting
and then share your
knowledge with us. |

An assortment of sewing
supplies dating between early 1900s-1930s. Crocheted covers like pink one shown here were
stuffed with powder puffs to use as pincushions and popular in the 1920s-30s.
Cushion contiains a 1940s toilet pin and 1/2" brass safety pin cWWI. Blue wool felt
girl when opened up reveals cloth needleholder. Art noveau steel measuring gauge,
celluloid point turner/ruler and gold-plated stork embroidery scissors are turn of
the century. |
The
Gizmos
| Needles In warm climates a lightly woven covering
sufficed for cave dwellers. But those who lived in colder regions needed some form of
sewing to make their coverings protective. First came thorns and bone awls to hold clothes
together. Once holes were placed in these devices, twisted yarn could be held, thus making
a needle. These were probably the earliest of primitive fasteners. Early stone age people
were found to be intrepid weavers and with the development of the needle, clothes
decoration became another practiced skill. By 3000 BC Sumerians used pierced fish spines
to receive thread. |

Bone awl
- Textiles, 1926 |
As with any developing technology, needles were made of various improved
substances with English steel proving to be superior. But even those early needles were
prone to breaking, bending and rusting. Brass tin plated became the popular choice to
overcome those deficiencies. Better needles had a gold-rimmed eye. The only time needles
were not advertised as rustproof was during WWII when they were made of cheap metal to
conserve on war-time materials. This also applied to other metal notions such as snaps,
straight and safety pins and hooks and eyes.
The number of firms making needles is a study in itself, a maze of names like the bias
tape chart from a previous column. All advertised themselves in the same manner as
Beissels Prize Medal Needles in the 1894 Ladies Home Journal "The
finest on the globe, will not bend, break or cut thread ad are the cheapest. If once tried
no other make will be tolerated."
Needles were available in many types of packaging from cloth and paper packets to tiny
wooden holders. In 1895 Eclipse offered a handy package comprised of needle packets, hooks
& eyes and long straight pins. One popular form of container was the needlebook, now a
hot and trendy collectors item.
Connie McGinnis of Rosies Needlebook Museum says these books appeared as
advertising premiums from the early 1900s through the 1950s. They are literally a booklet,
about postcard size with advertising on the front and back covers and lined with foil or
cloth to hold various sizes of needles and usually a needlethreader. Sometimes the needles
were in packets attached to the lining. Most needlebooks were give-aways.
 |

Two very nostalgic needlebooks featured in
Rosie's Needlebook Museum.
- Courtesy Connie McGinnis |
| And of course,
enterprising entrepreneurs heightened the sale of needles by devising must-have
accessories such as ornate needlethreaders, decorative storage containers from felt
silhouettes to enameled holders, pin cushions of every description filled with hair or
dried spanish moss or wool clippings, fancy emery cushions for polishing and warding off
rust and thimbles which need a tome of their own. |

Vintage needlethreaders -- the larger
one contains instructions for use with both hand and sewing machine needles.
|
Well, needles throughout
history were part of womans heritage which she prized and treasured as much as her
chinaware and domestic skills and so the fair damsels were vulnerable to many a
merchants glibness such as the combination needlethreader/pincushion
introduced in 1906.
On a modern note, needles have long been made for every imaginable purpose so it is
interesting to observe how sewing machine needles are rivaling and overtaking the
diversity of hand-sewing needles. And on a more significant note, needles gave birth to
straight and safety pins.
Straight Pins These indispensables were fashioned of iron and bone by Sumerians
around 3000 BC. They were an extension of the early needle minus the hole. By the sixth
century wealthy Grecians used elaborately jeweled stick pins or stilettos to hold their
garments together. With a slight adaptation to add tension, a primitive safety pin was
born.
The true straight appeared sometime between 1790 to 1815. They were called two-part
pins because thats exactly what they were, a thin sliver of pointed metal which fit
into a cap or head to hold it in place. In 1833 the one-piece head and shaft was invented
and became commonplace by 1837. The early pins were crude and like needles, rusted and
easily broke.
By the late 1800s most pins were made of brass, refined, made in universal standard
sizes and advertised as rustproof. There were numerous manufacturers on either side of the
Atlantic, notably -- G.L.Turney, England, which in the 1880s offered improved
needle-pointed pins in mixed size points and lengths; Wallace & Sons sold brass pins
under the Eagle label in the early 1900s.
There have been many names for straight pins necessary pins c1860s-early 1900s,
dressmaker pins and within that silks and standards c 1920s to current, toilet pins
characterized by black glass heads c1940s and as the photos show, special decorative pins
to be seen and admired on clothing.
Collector Melissa Roberts points out that these fancy fasteners were known by various
names which indicated their purpose: baby, bib, cuff, waist, lace, collar, lingerie and
beauty. They were popular from about 1890 to 1920. They were made of gold, silver and
other metals and sometimes ornamented with pearls, glass, semi-precious stones or
enameling. When chosen for babies, they could be engraved with the childs name or an
affectionate nickname such as Darling. Pins were often sold in sets so that they could
fasten the opening of a ladys waist or the back of an infants gown. These pins
appear to be a throwback of the 6th century Grecian pins.
 |

Decorative pins: note prices of these
fetching pins from Sears 1897 catalog and to the right, what a mouth-watering assortment.
- Courtesy Melissa Roberts, Hollis & Bell |
Again as with needles,
straight pins came in diverse packaging. Pin safes, pin cubes, flannel rollups with silk
ribbon ties which were more homemade than commercial, enameled paper sheets, cardboard
boxes and plastic boxes. Once paper sheets and boxes became the staple pin containers,
there was little if no change in merchandising. Witness that in both the 1937 and 1946
editions of Fabrics and Dress by Rathbone and Tarpley there is literally no change
in the wording for description of pins:
| "Ordinary pins are
obtainable in papers. The better qualities of pins are usually sold by the box in ¼ lb.
sizes. Box pin sizes are classified as bankers, large and coarse; dressmakers, medium;
silk, finest with sharp points. Pins are made of steel or brass with a tin coating. Rust
is less probable when the latter is used. In selecting pins for dressmaking, choose
smooth, sharp-pointed ones." And again as with needles, straight pins required
several accessories the pin cushion and the pin tray, two current hot collectibles.
Pin trays probably phased out during the 1950s. They were made from china, porcelain,
celluloid and plastic, many wonderfully decorated and shaped. There were various sizes to
accommodate pins of all types hat, toilet, straight and decorative. |

Examples of pin packaging -- 1904
Household pin set contains assortment of 80 necessary pins for a variety of sewing needs.
Pin cube from Germany dates to 880s and retains most of its original pins.

Vintage pin holders -- leather
pin safe and Limoges china pin tray. |
Today the traditional
straight pin is coming in second to the large white-headed pin for general sewing and the
super-fine, extra-long Swiss iris straight pin for silks, sheers, pimas and most
mircrofibers.
| Safety Pin The
safety pin dates back to 1000 BC in Central Europe and was the first significant
improvement over the straight pin. It had no protective sheath. It was a bent U-shaped
device with the point cradled away somewhat exposed in a curved wire. In sixth century
BC Greek and Roman women fastened their robes on the shoulder and upper arm with a fibula.
This was an innovative pin in which the middle was coiled, producing tension and a
spring-like opening action. It was a step closer to the modern safety pin. |

Garment pins from straight to safety --
Top: straight pins from the Bronze Age; Center: three Roman bronze safety pins 500 BC;
Bottom: modern-style pins showing both the Danish open sheath and the contemporary wide
closed sheath.
- Extaordinary Origins of Everyday Things, 1987 |
Aside from belts,
fastening pins, as they were called, remained the predominant way to fasten garments well
into the 14th century. And as clothing became more sophisticated the more pins
were needed. Palace records of 1347 show 12,000 pins were needed for the wardrobe of a
French princess!
Ever hear the expressions pin money? pocket money? As pins were homemade,
there was often a scarcity and this drove up prices. Many a feudal lord created or
increased his serfs taxes so he could afford money to pay for pins. To stem the
hoarding and overindulgence of pins, a law was passed in Britain in the late Middle Ages
to allow pinmakers to sell only on certain days of the year. This enabled the upper and
lower-classes to save and have enough pin money at market time. Once pins began to be mass
produced by machine, prices plummeted and pin money was devalued to mean a wifes
pocket money. Buttons started to be used gradually on the aristocracys clothes in
the late 1200s and by the 16th century all but replaced pins.
| In the late 1870s the
Danish safety pin was developed. It was the modern type with wide protective sheath. In
the late 1890s Judson Pin Co. advertised Capsheaf, a coilless safety pin which "cannot
catch in the fabric" and was "highly endorsed by trained nurses."
In 1898 an advertisement for Stewarts duplex safety pins in The Ladies Home
Journal noted "guarded spring prevents all catching or tearing of
material
guard is on inside of spring
.the only effective guard to prevent
catching or tearing. It is on the arm of pin that passes through the cloth
patented
and cannot be used on any other pin
.pin works in dark and light, fastens from either
side but cannot slip through; made in nickel plate and jet black in assorted sizes." Safety
pins were made in various metals from bronze to steel to brass and in many lengths from
kilt size down to ½". This smallest size was popular on childrens and doll
garments in the early 1900s to 1930s. While safety pins will more than likely always have
a future, they have been eclipsed by buttons, zippers and Velcro. |

Capsheaf safety pin ad
- McCalls Magazine, November 1904

It's not clear if the sensible
safety pin in Sears 1908 catalog is brand name or adjective. Notice the improved sheath on
the c1950s Clinton pins. -
Courtesy Shirley McElderry |
Zippers Even a
policeman can get stuck in trafficThis
was a clever Talon ad slogan about 50 decades ago. It comically and tersely sums up the
importance of having a quality product.
| In 1893 Whitcomb Judson of Chicago, so the story goes, was inspired by a
bird feather to make shoe fasteners for a friend with a bad back who couldnt bend
over to button his shoes. Judson noticed how easy it was to pull apart the many feather
strands that hook together and to make the feather whole again by pinching his fingers
along the separation. And so he invented two rows of teeth that hooked together when a
slide was moved. He and a partner formed Universal Fastener and Judson was granted a
patent for the first zipper called a clasp locker or unlocker for shoes. There was a
problem; the hook-and-eye fastener would come open quite unexpectedly and so never caught
on.
Twenty years later in 1913 Gideon Sundback, an engineer, produced a smaller and lighter
device a fastener with teeth on two tapes which was to become the modern zipper. It
was first used for military clothing and equipment and then for home use on tobacco
pouches, money belts and boots.
Around 1920 zippers began appearing on clothing. Again they were not popular; made of
metal they rusted. This meant removing a zipper each time a garment was washed. Plus for
some reason, the public had difficulty operating a zipper so instruction booklets on use
and maintenance came with each zippered item.
At this point we must thank B.F. Goodrich himself. In 1923 he introduced rubber
galoshes with the new hookless fasteners. As he closed his boots, he mimicked the sound
z-z-z-zip, coining the word zipper. He renamed the boots Zipper Boots, ordered 150,000
zippers from Hookless Fastener located in Meadville, Pa. This company would later be named
Talon. The unusual name zipper plus increased reliability and rustproofing greatly
popularized zippers.
By the late 1920s, zippers, concealed under a flap were common clothes fasteners or
placket fasteners as they were called. It became downright fashionable after designer Elsa
Schiaparelli introduced her 1935 spring line dripping in various zippers which were
colored, oversized, decorative and nonfunctional. |

Whitcomb Judson's clasp locker,
an hook-and-eye zipper created to replace shoe laces.
-Extraordinary
Origins of Everyday Things, 1987

You just never knew when to
expect a parting of the Judson zipper.
- Inventions to Keep
Clothes On, 1989

The Sundback zipper of 1913 has
teeth on two tapes and is the prototype of the modern zipper.
-
Inventions to Keep Clothes On, 1989

Even though zippers were
available by 1916, sewing books and the public preferred the hook-and-eye security of the
reliable placket. Notice length of placket.
- Women's
Institute, 1916 |
Metal zippers were still
called slide fasteners well into the 1950s. Star, Wrights, JP Clarks Crown, Kwik
Brand, Flash & Lightning and Zephyr were some of the larger manufacturers. Lesser
known zippers came unwrapped; Zip Brand was stored on reels and cut to size; Talon was
packaged in cardboard containers; later Clarks and Wrights used circular plastic boxes.
Enamel colored metal teeth appeared during the early 1950s color-keyed to thread and
nylon coil in the later part of the decade. New fabrics enabled zippers to be lighter and
less bulky. In the early 1960s Unique produced the invisible zipper, preferred by many
sewers today. Nylon coil was replaced by polyester within the past 20 years. As long as
hidden openings are needed, zippers will be with us. Ironically, it is compatible with
Velcro, the alternative for the young, aged and handicapped.
Hooks & Eyes This form of fastener was popular for clothes needing to fit
snugly and requiring hidden, sturdy fastenings. Prior to 1830 hooks and eyes were made of
copper. and replaced by brass around 1830. In the 1840s wire drawn hooks, became popular,
returning to brass in the 1850s. As womens underclothes were fastened by means of
tapes, ties or buttons, hooks were mainly used on outerwear and essential to the proper
fit of bodices through the 1880s.
The peak of popularity and innovation was during the late 1890s into the early 20s when
the fashion in clothes changed dramatically, necessitating a need for various sizes and
types of hook closings. Strong hooks were especially needed for fur and plush capes and
skirt and trouser waistbands. Daintier hooks were used on underclothing waistbands and at
necklines.
A typical ad for hooks would be similar to the one in the Ladies Home Journal,
September 1894 for Francis patent hook and eye featuring the latest spring hook with a
metal loop and an edge eye: "Dont make loops of thread
saves sewing,
saves time, keeps hooked, prevents gaping".
The triple strand of wire hooks debuted in the early 1900s. Hooks were made of
brass, nickel plated or jet black and rustproof , except during WWII when they fell victim
to metal for the duration of the war. Rather than try to describe the numerous brands,
styles and types, the photos of hook and eye ads and cards will tell the story.
As zippers began
appearing on clothing in the late 1920s, hook and eyes were mostly relegated to special
areas of dress, mainly the neckline and the waist and sometimes the cuff. With the
disappearance of pantaloons and emergence of bloomers and elasticized panties and
petticoats becoming street length slips there was little need for hook fastenings.

Some of the many brand hooks and eyes
c1920s. Snap hook in lower right
hand corner is from an 1890s plush cape.
|

More hook and eye brands pre-1920;
National is 1907. Ruler is a tailor's ruler which conveniently folds to fit in work apron.
And in lower right-hand corner -- how many of you remember the greatest fastener of them
all! This life saver halted runs in silk, rayon and early nylon hosiery. Matchstick cases
were another form of advertising premiums.
- Courtesy of Margo Thomas |
Today hooks are still
used where snug fits or hidden closures are required in both couture and ready to wear.
However there has been one major change. Somewhere in the past five or six years, the I
bar has been eliminated in packaging; you may have noticed this if you have bought any
hooks recently. I do not know the reason; some say loops are all that is necessary for
todays clothes; others like myself feel the I bar is just as essential.
Snaps The earliest snap fasteners were of the bird-cage type -- a dome slit by
longitudinal perforations and a rigid ring as a socket into which the dome was forced.
Because of the design, snaps would later be called ball and socket fasteners. Snaps began
showing up around 1840 in Europe. They were used primarily on theatrical costumes,
especially where the costume had to be removed quickly between scenes of plays. For
example, snaps were sewn on the outside of garments to hold ruffles and then quickly
removed to change costumes appearance. Snaps then began to appear on gloves.
During the 1850s the snap was designed as we know it today. A German firm invented a
snap fastener with a double S spring made from bronze wire in the late 1800s. The
early snaps were not reliable nor rustproof. By the early 1890s they began to sprout by
the hundreds, as many brands as hooks and eyes and more often than not by the same
manufacturer.
Snaps attempted to compete with hooks an ad in the January 1898 Ladies World
for the Ball and Socket Fastener Co., Makers of Removable Fasteners of All Kinds, states: "Hear
it Snap no hooks, no eyes, no buttons, no bother, sews on invisible, simple,
practical
.endorsed by dressmakers, fastens easily and stays so, you hear it fasten,
the blind can fasten it."
 Ad for Wire & Ball snaps in McCall's
Magazine, November 1904 |

An Annie Oakley rodeo exhibition? This
is a German ad for Prym's snap fasteners which appeared in 1913 in Frauen Moden Zeitung
[Women's Modern Magazine]. Translation --
Prym's newest hit...strongest push button....guaranteed reliable....won't open on its
own....a try will convince you.
- Courtesy of Nancy Jones, Germany
|
| Adjustable heavy metal
snaps called mechanics buttons were popular for mens work pants in the early 1900s
as they still are today although most are now gripper style. There were several varieties
all claiming to be the finest fastener. Snaps were and are still favorites for
childrens and doll clothes and for adult clothes as a substitute for hooks and eyes.
As with all fasteners, they are brass, nickel plated or jet black and rustproof. Each
manufacturer claims either a special spring action or a unique fit.. Many have holes in
the center for positioning. |

Brands of snaps 1916-50s. Snaps
in lower right-hand corner are a spring type from 1916.
- Left side courtesy of Margo Thomas |

Tin compartmentalized container holds
12 dozen assorted size Waldes Koh-i-noor dress fasteners c1920s-30s made for Sears.
|

Pilcher's detachable buttons c1930s
feature the combined assets of gripper and button. Clinton carded snap assortment c1950s
is as contemporary as today.
-
Courtesy of Shirley McElderry |
Square snaps were used
on many commercial doll clothes in the 1940s and 50s and it is the only way to
authenticate those clothes, particularly if label is missing or there was no label. It can
mean the difference of several dollars or $200 in some cases. Plastic snaps started to
appear in the 1960s; nylon in the 1970s.
What lies ahead for fasteners? Fashion and lifestyle will determine that outcome. But
sewers are a breed unto themselves and dont easily part with tradition so it is
likely fasteners will continue to be available in our lifetime.
In the meantime when you set aside pondering the fate of fasteners, step back into time
and enjoy the web sites of Connie McGinnis Rosies Needlebook Museum http://www.geocities.com/wellesley/garden/7484
and Melissa Roberts decorative fasteners and eclectic Victorian magazine. http://www.hollisandbell.com.
References:
McCalls Magazine,
November 1904
Sears Catalog, 1908
Elite Styles, October 1913
Pictorial Review, May 1914
Lippincotts Clothing for Women, Laura Baldt, 1916
Textile, Woolman and McGowan,1926
Fabrics and Dress, Rathbone & Tarpley, 1937 and 1946
Collectors Book of Doll Clothes, Dorothy, Elizabeth and Evelyn Coleman,1975
Extraordinary Origins of Everyday Things, Charles Panati, 1987
Inventions to Keep Your Clothes On, Vicky Cobb, 1989
Various vintage periodicals from the collection of author Thelma Bernard
Next Month: Cambric -- Gone with the
Wind
Coming Soon: Feedbags, What Quilters Want and Building A Textile Reference Library
The arbitrary cut-off date for this
Vintage Fabric column is 1960. To stay within the scope of this timeframe, reference
materials published up to that date are the prime source of information to more accurately
capture actual thoughts of the time.
If you are interested in vintage fabrics and textile production, email Joan@fabrics.net . Your topic or query could be of
interest to collectors and professionals whose hobbies or research require knowledge and
use of old fabrics and their contemporary counterparts.
Joan Kiplinger is an antique doll costumer and vintage
fabric addict who learned to sew on her grandmother's treadle and has been peddling
fabrications ever since.
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