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dizzylettuce
Fabric Dyeing 101
April 20, 2007
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We have a new Columnist! Ask Jennifer all your dyeing questions..
Vintage Fabrics
May 20 - Wrights - Memories of an American Institution
May 20 - Underground Railroad Quilt Code
October 20 - Up Close and Personal with Vintage Aprons
November 20 - Colorful Vintage Tablecloths and Towels
September 20 - The Legacy of Warren Featherbone
May 20 - Some Costumes for Elderly Ladies
March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
February 20 - Life Was a Breeze with Fans
January 20 - Please Don't Ridicule My Reticule!
April 20 - More Mill Connections
February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
January 20 - The Indian Head Connection 3
October 20 - The Indian Head Connection 2
September 20 - The Indian Head Connection 1
August 20 - Recycling Vintage Fabrics
July 20 - Sanforized: Fabric's Best Friend
June 20 - History of the Printed Tablecloth
May 20 - Decorative Relief Carving in Wooden Spools
April 20 - Vintage Hankies - More Than Sneeze Catchers
March 20 - Indian Head Remembered - Revisiting An American Institution
February 20 - Doll Couture Vintage Style
January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
December 20 - Osnaburg the Great
Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
October 20 - WWII Fashions Part 2 --All Dolled up
September 20 - Cotton Dyeing in the 18th & 19th Century
August 20 - Hooked on Buttons
July 20 - Pillow Talk
June 20 - WWII Fashions
May 20 - A Going-Away Dress
April 20 - Harriet Quimby
January 20 - Capes
December 20 - Umbrellas
November 20 - Weaveprints
October 20 - Grenadine
September 20 - Bias Tape
August 20 - Dolls
July 20 - Thread Chart
June 20 - Vintage Costuming
April 20 - Building A Textile Reference Library
March 20 - Profile of Collector
February 20 - Feedbags
January 20 - Cambric
December 20 - Gizmos
November 20 - Trims
October 20 - Stores 1920-59
September 20 - 1880-1919
August 20 - Sweatshops
July 20 - Label Scandal
June 20 - Bias Tape
Extra: Bias Tape Chart
May 20 - Miracle Fibers
April 20, 2000
March 20, 2000
February 20, 2000
January 20, 2000
December 20, 1999
Ask Andy
December 20 2007
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Guest Columnists
Dyeing Stretch Velvet
Sewing Dance Costumes as a Business
Window Treatments
Stretch Velvet
QuiltVisions
September 20 - Quilt colors
July 20 - Quilt colors for summer weather: Are you ready?
September 20 - Can every quilt be your favorite?
April 20 - Ideas: Springtime color bursts feed our imaginings
March 20 - Quilt ideas are You-nique
August 20 - Inspiration is all around us
May 20 - Purpose leads quilters to joyful adventure
January 20 - Remembering loved ones with a quilt vision
December 20 - Pleasing, honoring, creating = JOY
November 20 - It's Not too Late For a Christmas Quilt!
October 20 - Recipe for happy quilts: Seeing Red!
August 20 - State Flowers: the longest online swap?
July 20 - Summertime and a quilt is. .
June 20 - Black and white and. . . what?
May 20 - Busy agenda vs. quilt workshops
April 20 - Challenge quilts try us, stretch us
March 20 - Inspirations at home make quilts sing and bloom
February 20 - A Joyful Quilter is a Treasure
January 20 - Imagination sparks Elm Creek quilters and us!
December 20 - Whoops! Ten tips to turn celebrations into quilts
November 20 - What's good enough for Grandma is good enough for me!
October 20 - What's in a name?
September 20 - Heart influences
August 20 - Color studies prove magical
July 20 - United in Memory Quilt
June 20 - Purple and gold
May 20 - Color your world with Wow!
April 20 - Themes carry out dreams
March 20 - Quilt Condos and Communities
February 20 - "I just did it"
January 20 - Small Groups
December 20 - Lively Quilts Get Out of Bed
November 20 - How are we Remembered?
October 20 - Quilt Shows
September 20 - Comforting NY
August 20 - Spirit and joy
July 20 - Shop, Shop...
June 20 - There's always a beginning
A Quilter is Born
October 20 - Washington Quilt Show
August 20 - Fabric Choices
July 20 - Quilting Disasters
June 20 - Guilds and Groups
May 20 - A Quilter is Born
Fabric Distinctions
Kalasiris
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Quality in Apparel
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Olefin
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August 20
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Silk
By Amy Willbanks, Textile Fabric Consultants, Inc.
History:
Legend has it that silk was discovered around 2640 B.C. when a Chinese Empress, Hsi
Ling Shi, became intrigued by silkworms. She was given the task of studying the silkworm
by the Emperor. He wanted to know if the silkworms thread could create more
happiness for his people. She then learned how to unwind the silk from the cocoon and make
fabric from it. Thus, the silk industry in China began and China still holds the monopoly
on the industry today with 54% of the silk production. The beautiful fabrics produced from
silk fiber were often coveted in other countries. Eventually other countries began
producing silk fabrics.
Production:
The production of cultivated silk is known as sericulture. The stages of production are
as follows:
1. The silk moth lays eggs.
2. When the eggs hatch the caterpillars are fed mulberry leaves.
3. When the silkworms are about 35 days old they are 10,000 times heavier than when they
hatched. They are now ready to spin a silk cocoon.
4. The silk is produced in two glands in the silkworms head and the forced out in
liquid form through openings called spinnerets.
5. The silk solidifies when it comes in contact with the air.
6. The silkworm spins approximately 1 mile of filament and completely encloses itself in a
cocoon in about 2 or three days.
7. The silkworm then goes through stages and changes into a moth; however, the silkworm is
usually killed with heat before it reaches this stage. The silkworms are killed because
once they reach the moth stage, the moth secretes a fluid to dissolve the silk so it can
emerge from the cocoon. This damages the cocoon and the silk and the silk then becomes a
lower quality. Some silkworms are allowed to live to be used for breeding.
8. The silk is obtained from the undamaged cocoons by brushing the cocoon to find the
outside ends of the filament.
9. The silk filaments are then wound on a reel. One cocoon contains approximately 1,000
yards of silk filament. The silk at this stage is known as raw silk.
10. A yarn can now be formed by combining several filaments of silk.
Wild Silk Production :
Wild silk is obtained from cocoons that silkworms produced in a natural uncontrolled
environment. The most common type of wild silk is Tussah Silk. Tussah silk is dark in
color, coarse in texture and cannot be bleached. Duppioni is another type of wild silk.
Duppioni silk is produced when two silkworms spin cocoons that are joined together.
Countries Producing Silk:
China 54%
India 14% (mainly known for hand-woven wild silks with rich textures)
Japan 11% (high-quality silks)
Thailand (hand-woven iridescent silks)
The United States tried its hand at sericulture but all attempts failed.
There are over 30 countries producing silk today.
Silk production is expensive: consequently, silk is considered a fiber of luxury. It is
thought that silks expense, beauty and hand contributed to the beginning of the
manufactured fiber industry. People wanted fabrics that looked and felt like silk but
without the cost so they tried to manufacture fibers similar to silk. Eventually rayon was
developed from these efforts of trying to artificially produce silk.
Characteristics of Silk:
Aesthetics: Cultivated silk is a beautiful luxurious fiber with a smooth luxurious
hand. This type of silk can be dyed and printed in bright colors that are very pleasing to
the eye. Wild silks are duller and have a more coarse hand and texture.
Durability: Silks abrasion resistance is moderate. However, it is ranked high in
strength for natural fibers.
Comfort: Silk fabrics have good absorbency. Fabrics made from silk are comfortable in
the summer and warm in the winter.
Appearance Retention: Silk fabrics have only moderate resistance to wrinkling.
Care: It is often recommended that silk garments be dry-cleaned. When hand or machine
washing washable silk garments, test for water spotting in an obscure place because silk
water-spots easily. Perspiration and sunlight weakens and yellows silk fabrics. Upholstery
and drapery fabrics that contain silk should be protected from prolonged exposure to
direct sunlight.
End Uses:
Silk is mainly used in apparel and home-furnishing items but also is used in the medial
field .
Underwear
Socks
Leggings
Dress shirts
Suits
Pants
Evening gowns
Sweaters
T-shirts |
Window treatments
Upholstery fabrics
Liners for sleeping bags
Blankets
Bed sheets
Rugs (occasionally)
Medical sutures
Prosthetic arteries |
Sources:
Sara J. Kadolph, Anna L. Langford, Textiles/...{et al} (8th ed. Prentice-Hall,
Inc. Simon & Schuster/A Viacom Company) Upper Saddle River, New Jersey, 07458, pages
61-66 and 82.
Kathryn Hatch, Textile Science (West Publishing Company) St. Paul, MN, 55164,
page 160.
Textile
Fabric Consultants, Inc. manufactures fabric swatch kits for students who study
textiles in colleges and universities. These kits are also sold to professionals in
the industry. We also sell to high schools, department stores, interior
designers and costume designers. The kits are designed to help educate people about
a variety of fabrics and to be a permanent hands on reference for the user.
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