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dizzylettuce
Fabric Dyeing 101
April 20, 2007
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We have a new Columnist! Ask Jennifer all your dyeing questions..
Vintage Fabrics
January 20 - Part III: Any Powder Puffs or DayLee in Your Quilts?
December 20 - PART II: Any E&W Prints in Your Quilt?
November 20 - PART I: Any Rondo Prints in Your Quilt?
May 20 - Wrights - Memories of an American Institution
May 20 - Underground Railroad Quilt Code
October 20 - Up Close and Personal with Vintage Aprons
November 20 - Colorful Vintage Tablecloths and Towels
September 20 - The Legacy of Warren Featherbone
May 20 - Some Costumes for Elderly Ladies
March 20 - And That's a Wrap - Oh to be in my ki-moni-yo
February 20 - Life Was a Breeze with Fans
January 20 - Please Don't Ridicule My Reticule!
April 20 - More Mill Connections
February 20 - One Woman's Failed Struggle to Quit the Fabric Habit
January 20 - The Indian Head Connection 3
October 20 - The Indian Head Connection 2
September 20 - The Indian Head Connection 1
August 20 - Recycling Vintage Fabrics
July 20 - Sanforized: Fabric's Best Friend
June 20 - History of the Printed Tablecloth
May 20 - Decorative Relief Carving in Wooden Spools
April 20 - Vintage Hankies - More Than Sneeze Catchers
March 20 - Indian Head Remembered - Revisiting An American Institution
February 20 - Doll Couture Vintage Style
January 20 - Meet the Azlons from A to Z: Regenerated & Rejuvenated
December 20 - Osnaburg the Great
Part 2 Home Beautiful with Cretonne, Chintz, Barkcloth & Crash
November 20 - Osnaburg the Great Part I -- Feedsacks on Our Backs
October 20 - WWII Fashions Part 2 --All Dolled up
September 20 - Cotton Dyeing in the 18th & 19th Century
August 20 - Hooked on Buttons
July 20 - Pillow Talk
June 20 - WWII Fashions
May 20 - A Going-Away Dress
April 20 - Harriet Quimby
January 20 - Capes
December 20 - Umbrellas
November 20 - Weaveprints
October 20 - Grenadine
September 20 - Bias Tape
August 20 - Dolls
July 20 - Thread Chart
June 20 - Vintage Costuming
April 20 - Building A Textile Reference Library
March 20 - Profile of Collector
February 20 - Feedbags
January 20 - Cambric
December 20 - Gizmos
November 20 - Trims
October 20 - Stores 1920-59
September 20 - 1880-1919
August 20 - Sweatshops
July 20 - Label Scandal
June 20 - Bias Tape
Extra: Bias Tape Chart
May 20 - Miracle Fibers
April 20, 2000
March 20, 2000
February 20, 2000
January 20, 2000
December 20, 1999
Ask Andy
December 20 2007
November 20 2007
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December 20 2006
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2001
June 20 2001
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December 20, 1999
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Guest Columnists
Dyeing Stretch Velvet
Sewing Dance Costumes as a Business
Window Treatments
Stretch Velvet
QuiltVisions
September 20 - Quilt colors
July 20 - Quilt colors for summer weather: Are you ready?
September 20 - Can every quilt be your favorite?
April 20 - Ideas: Springtime color bursts feed our imaginings
March 20 - Quilt ideas are You-nique
August 20 - Inspiration is all around us
May 20 - Purpose leads quilters to joyful adventure
January 20 - Remembering loved ones with a quilt vision
December 20 - Pleasing, honoring, creating = JOY
November 20 - It's Not too Late For a Christmas Quilt!
October 20 - Recipe for happy quilts: Seeing Red!
August 20 - State Flowers: the longest online swap?
July 20 - Summertime and a quilt is. .
June 20 - Black and white and. . . what?
May 20 - Busy agenda vs. quilt workshops
April 20 - Challenge quilts try us, stretch us
March 20 - Inspirations at home make quilts sing and bloom
February 20 - A Joyful Quilter is a Treasure
January 20 - Imagination sparks Elm Creek quilters and us!
December 20 - Whoops! Ten tips to turn celebrations into quilts
November 20 - What's good enough for Grandma is good enough for me!
October 20 - What's in a name?
September 20 - Heart influences
August 20 - Color studies prove magical
July 20 - United in Memory Quilt
June 20 - Purple and gold
May 20 - Color your world with Wow!
April 20 - Themes carry out dreams
March 20 - Quilt Condos and Communities
February 20 - "I just did it"
January 20 - Small Groups
December 20 - Lively Quilts Get Out of Bed
November 20 - How are we Remembered?
October 20 - Quilt Shows
September 20 - Comforting NY
August 20 - Spirit and joy
July 20 - Shop, Shop...
June 20 - There's always a beginning
A Quilter is Born
October 20 - Washington Quilt Show
August 20 - Fabric Choices
July 20 - Quilting Disasters
June 20 - Guilds and Groups
May 20 - A Quilter is Born
Fabric Distinctions
Kalasiris
Pleather
Batik
Spandex
Wool
Corn
Upholstery
Satin
Velvet
Quality in Apparel
Hemp
Pashmina
Silk
Cotton
Olefin
Rayon
Flammability
Wrinkle Free
Children's Sleepwear
Archives
Fine Apparel Preservation
February Issue
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Wild Women Who Sew
August 20
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YOU DON'T ALWAYS GET WHAT YOU PAY FOR
.EVALUATING QUALITY IN APPAREL
by Nancy Kelley, Assistant Professor,
Textiles, Merchandising, and Design
Middle Tennessee State University
What exactly determines quality? The quality of a garment is
determined by the characteristics of each of its components
from fiber to fabric to
the very last finishing detail. To the discerning eye, quality is evident in the external
appearance of a garment. It is also evident in the details not seen from the outside:
interfacings, linings and construction techniques. These elements not only affect how the
garment looks, but how it will retain its shape, and how it will wear. High priced
garments are expected to be high quality garments, but this is
not always true. We've all been disappointed after buying a new garment only to find it is
no longer serviceable after a few wearings. Rather than hassle with returns and fighting
with store clerks, select fashions after examining the garment from the inside and
out. Before you even go into the dressing room, read the fiber content label, tug at the
seams, make sure the garment is free of puckering and hangs straight.
Fashion Fabric: Each fiber has qualities that give particular
characteristics to the fabrics made from those fibers. Some fibers are absorbent, some are
resilient, some are less durable, etc. Each fiber has positive and negative
characteristics, and there is really no one perfect fiber. However, recent innovations in
fiber technology have given the consumer more durable and comfortable fabrics than ever
before! The fiber content label required by federal law to be permanently attached in each
garment must indicate the percentage of each fiber present in the garment. Always check
this carefully! You can make many assumptions about the garment based on the fiber content
alone. The characteristics of the fabric depend on the type of construction method. Some
are more durable than others. The yarns per inch in a fabric are a direct indication of
quality. Higher yarn count translates into a higher quality fabric. Higher twist yarns in
a fabric are stronger, indicating higher quality fabrics.
Supportive Fabrics/Shaping Devices: These are fabrics used on
the INSIDE of a garment, used to fulfill one of several purposes. The fabrics used for
interfacings are supportive and build shape and stability in small areas. The fabrics used
for underlinings add support and durability to the fashion fabric. Linings add support and
durability, are usually decorative and enclose construction details. All of these are a
significant factor in quality of the garment. Supportive fabrics should be fastened
securely, finished appropriately, and should not wrinkle or distort the fabric. Linings
should be caught at shoulder seams to prevent slippage and pulling. Linings should have at
least a ¾" deep center back pleat to release extra fullness for movement. Linings
and fashion fabrics should have compatible care requirements.
| Construction Details: Fabric designs should be cut and
sewn so the design is not distorted. Designs must be matched in construction of the
garments. Plaids must match both vertically and horizontally. Matching is costly and
may be difficult to find in low cost garments. Stitch length should be appropriate to the
fabric used. Generally small stitches indicate quality, but some fabrics require longer
stitches to avoid seam-puckering. Thread color should match the fashion fabric.
Transparent thread, which easily unravels, is often used to cut costs. Endings should be
secure so that they will not pull out. Puckering is a result of poor sewing techniques.
Pressing will NOT correct puckering in seams. Much ready-to-wear has narrow serged seams.
Other seam finishes include pinking, edge stitching, overlocking, encased, bound, French,
flat-felled and Hong Kong. Finished seams add durability to the garment. Hems should
be invisible from the right side of the garment. Hem depth depends on fabric and
style of garment. Usually more expensive garments have deeper hems, which are easier to
alter. Hem finishes should be appropriate to fabric. Sleeves should be set in smoothly
without signs of puckering. Sleeves should have comfortable ease in fit so that it
doesnt draw or pull on the body. Collars should be placed on the garment so that
both sides are symmetrical, unless indicated by design. Collars should have interfacing
for support, well-defined edges and a good shape. The undercollar should not be visible
from the right side. Pockets, though often overlooked by the consumer, should be checked
to make sure pocket depth is sufficient to be functional. |
 

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Finishing Details: All findings should be properly placed and
securely attached. Check buttons to make sure they
are fastened securely. Buttonholes should be properly placed and correctly sized to
accommodate buttons. Bound buttonholes area a sign of quality. Machine made buttonholes
should have close stitches and secure threads to prevent raveling. Zippers should zip!
Zippers should be covered by the fashion fabric and be installed in such a manner to stay
closed. For quality, a hook and eye is often placed at the top of the placket to ensure
closure. Some quality garments have hand-picked zippers that are sewn with small hand
stitches that are invisible. If there are applied designs (decorative trim) the trim
should be in keeping with the quality of the garment. Check for appropriate placement and
secure attachment.
Pressing is extremely important. Pressers are one of the highest
paid workers in the garment industry. Garments can be ruined by improper pressing. Each
detail of the garment should be pressed into position as it is being made. Whether this is
done or not, is evident in the final garment. Overpressing on the right side can cause
permanent indentations or show dart impressions, pocket imprints, etc.
Several other factors influence the pricing of garments. The
garment may be expensive because the fabric is costly. This does not necessarily indicate
a quality garment. Manufacturers may use high quality fabrics and cut corners on the
construction or finishing details in order to keep price down. The exclusiveness of the
design also affects price. If only a few garments of one design are cut this is reflected
in a higher price. Garments composed of many pattern pieces or oddly shaped pieces require
more seaming and special handling than other less intricate garments. Matching fabric
design (such as checks or plaids) requires more fabric, time and labor. If done properly
the garment price increases. The amount of handwork affects price. Linings stitched by
hand, fabric covered snaps or buttons, hand-installed zippers and hand hemmings will all
increase the price. The price of the trims used (if any) influence price. Furs, lace,
ribbons, buttons will increase the price.
Take a look for yourself
Visit a mass-market retailer and a
high-end boutique. Concentrate on one garment type, such as suits. You will probably find
a disparity among the garments. I think you will find the brand name, the garments
cost, and the type of retail store do not always match assumptions about the quality. Take
your time and inspect the garment carefully
and when that curious salesclerk asks if
she can help you, just smile and say, "No, I am just looking!"
Textile
Fabric Consultants, Inc. manufactures fabric swatch kits for students who study
textiles in colleges and universities. These kits are also sold to professionals in
the industry. We also sell to high schools, department stores, interior
designers and costume designers. The kits are designed to help educate people about
a variety of fabrics and to be a permanent hands on reference for the user.
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